We’ve updated our Terms of Use to reflect our new entity name and address. You can review the changes here.
We’ve updated our Terms of Use. You can review the changes here.

Explorers 6

by Tom Milsom

/
  • Streaming + Download

    Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    Purchasable with gift card

      £6 GBP  or more

     

  • Limited Edition Vinyl (Featuring Instant Download of Complete Album)
    Record/Vinyl + Digital Album

    Comes on beautiful 12" heavy (180g) BLUE vinyl, with lyric insert designed by Tom Milsom and Vondell Swain, and allows you to download the full album IMMEDIATELY and RIGHT AWAY, at your leisure! Music now, beautiful object of desire posted to your door later!

    Includes unlimited streaming of Explorers 6 via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

    Sold Out

1.
Smell 03:53
Memories are kept inside that Mountain on your face that I could Break you're almost there I almost See it in the air if it could talk I can't remember what it's called I can't remember what they called it
2.
Cherub 04:07
Ezekiel was calm and quiet as the wind Before he said what he said And as he turned away your happy baby eyes Stared through his head Sing, sing the revelations that you see Swoop among the people and take heed Cherub you are terrifying me A horde of huge hallucinations Carry out the holy deed All-seeing replicating wheels Aflame with fervour carry me But who am I Sing, sing the revelations that you see Swoop among the people and take heed Cherub you're proselytising me
3.
I don't want to live in this way any more Everything is fine I don't want to live in spite of it all When there is nothing on my mind I don't want to live in spite of it all
4.
Lines 06:26
Did a line off your chest and it made me feel better When we were losing physicality and untethering ourselves The fragile alpine freshness after sickness beckons Where a song can naturally unfurl Without the pain of hitting the shelves Leave a dusty trace of everything you do in your wake A greying map of your activities and all of your mistakes Don't leave your troubled friend behind I'll know what to do when I've learned all my lines There's a lion in your chest and it makes you feel better Like you're regaining your virginity by commanding me to heal Tell me I'm wrong again, tell me it's wrong to skirt around reality, I'll never learn unless it's more uncomfortable for me not to feel Leave a dusty trace of everything you do in your wake A greying map of your activities and all of your mistakes Don't leave your troubled friend behind I'll know what to do when I've learned all my lines Now I'm lying on your chest and it makes me feel better Now I've lost all my integrity these problems right themselves And if a frenzy kicks about amidst the susurrus A lonely editorial can never hurt and only time will tell
5.
Faster 05:17
I'll be back in my own time You've got your reasoning and I've got mine Bulldozing minds, problems unsolved Working me faster and losing control Anxious to please everyone there Two distinct entities up in the air Time on your hands, space in your head Tear them apart and do nothing instead There is a panic in the air, The air responds by almost effortlessly liquefying If you move faster everywhere A crack appears around your head no moving, no complying There is a panic in the air A pillow pushed upon my face and then the day is dying If you move faster everywhere The day is gone, the day is gone
6.
So you’ve had a nightmare, and a nightmare of such slow burning blood poison that you don’t even realise it’s a nightmare at first, the memories in your head chased the next night by the memories in your gut, like a physical grinding inside you, like something stuck to your stomach lining, like the memory of something you ate that day or memories of girls that make the walls of your thudding muffled heart grow tight, hidden for years and greeting you at night and now you realise what nightmare it was even though at the time you thought it was fine. And that’s the part that troubles you most. It was fine at the time. Not a single switch flicked in your somniferous state to your usual paranoid reaction to such transparent hurt or hate or crime. No recognition that anyone in your prefrontal cortal phosphene sphere had made a mortal overstep of any major mark or crossed a line. It was totally fine at the time. And so again, your slowly overtaking subconscious takes you for a ride while you lie, dark, devoid of sight and sound, through the experiences of last night. Up from the ground where there stands your heir, a boy so pale the blood inside him makes him shimmer, translucent and afloat. And both of you bathed in amniotic light you kind of try communicating. But this is the future you’re referring to, a fantasy that fades and leaves you half aware in the half light, alone. You’re present now, and correct. You start walking, fast and mathematically perfect. Almost insect-like, but just ectomorphic and slightly panicked, unable to connect the fantasy you just experienced to your current predicament. You need to find your child, that’s the bottom line. But then in this crepuscular place it’s very hard to see the bottom of anything, much less get there without risk of falling in the thick of it. Light is dispersed and dies before conclusions can be made. And so you keep on wandering, and making your decisions based on half blind faith, and moving, where possible, away from shade. This next bit seems fast-forwarded for you, as though observing it on tape and not being in there exploring toward this unknown cause, but safe to say, phantasmic coexisting frames of narrative aside, you wander for quite an extensive uneventful while, until every direction you decide to take, bearing in mind your almost phobic aversion to shade, has to be based on which is the less dark of the available sides. Eventually you find an open space awash with the same amniotic half light you began in, blinding now in the context of the last few hours, tentatively fumbling through passages barely lit at all, so you blink and let your pupils find their balance. And there’s your fiberglass baby, paint white and flaky in the air, tensile and watertight and every seamless ridge familiar to you with reeling clarity. The tiny pulse of something inside, keeping its unmoving inconclusive form alive for its selfish self and nothing more. You take it to your body as of habit. Clutch it. Let off small asbestos puffs from pressure applied to its opaque and dusty plaster body. It occurs to you that you don’t know where its head is. And you look for its face, try to find its eyes, but they’re nowhere to be seen, just constant soundless circular white. You rotate the baby in your hands, agitated, and uncertain which way is up until it slips from your inquisitive grip and hits the floor, frozen a split second after impact, and a hundred stony chunks skittery and chalk dry and terrifyingly unalive. Sinking resignedly down, you staring after it until it sails so far into the nighttime darkness, even this light can’t land upon its stark whiteness. And you’re left focusing on the black where it was, eyes as good as closed, lying in the dark where your memories left you, trailing off into a clean and relatively definite morning, overwriting last night’s excitement with present realities that may or may not soon need remembering, but overwritten or otherwise, hardwired into you are these feelings, the easily swallowed specifics of the story wrapped in something indigestible. A decaying clock that waits for you to reach next night’s carbon dark half life to take the time to tell you with a subverbal strike how unfine times can be. lying there still unopened watching imagined light dance geometric over your eyes recalling how it hits a hundred sinking stones before they get forgotten by the darkness and you sleep.

credits

released September 20, 2011

license

all rights reserved

tags

about

Tom Milsom London

contact / help

Contact Tom Milsom

Streaming and
Download help

Redeem code

Report this album or account

If you like Tom Milsom, you may also like: